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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

X.
THE ULTIMATE GOAL OF GAINING KNOWLEDGE
IN MUSIC

Ultimate Knowledge
in Music

The Creative Power
of the Absolute
Sound-Substance

The Art of Discrimination
in Music

The Art of Not Being
Bound in Music

The Six Treasures
of Musical Cognition

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Control over the Sense
of Hearing

Abstaining from Limitation

Patience

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   X
     
 
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC
     
         
 
Patience


   
 
On the ab­so­lu­te mu­si­cal level of the har­mony we make the ex­peri­ence of the com­poser: we ex­peri­ence the in­fi­nite flow of per­fect mu­sic be­yond space and time.

 
The Music Listener in the Realm of Experience of the Composer
 
 
If this per­fect mu­si­cal ex­peri­ence is per­ma­nently open to us, then the lim­ited rela­tive mu­si­cal ex­peri­ences are not able to lure us out of this so com­pletely ful­fill­ing state of ex­peri­ence of the pure mu­si­cal world of the har­mony.

 
Powerlessness of the Limited Musical Forces
 
 
Due to our stand­point of per­fect mu­si­cal ex­peri­ence in the ab­so­lu­te mu­si­cal force-field of the har­mony we are quite in­dif­fer­ent to the rela­tive mu­si­cal hap­pen­ing.
No longer we use our rela­tive mu­si­cal crea­tion for our own ful­fil­ment, but only for the pur­pose of lead­ing other mu­sic lis­ten­ers into the in­fi­nite mu­si­cal world of the har­mony which is now per­ma­nently ac­ces­si­ble for us.

 
Freedom of the Creative Music Listener
 
 
As a re­sult of this per­ma­nent per­fect mu­si­cal ex­peri­ence, a qual­ity grows within us which we com­monly call “pa­tience,” a pa­tience to­wards the rela­tive mu­si­cal proc­ess of know­ing.

 
Patience with the Musical Limits
 
 
Be­cause, seen from the state of our su­preme mu­si­cal ful­fil­ment, our grad­ual pro­gres­sion from smaller ful­fil­ments to greater and higher ful­fil­ments leads al­ways and only to the com­plete mu­si­cal full­ness of the har­mony.

   
 
Once we are an­chored in the unlim­ited field of the har­mony, pa­tience to­wards the rela­tive, lim­ited events in the outer mu­si­cal force-fields is the most natu­ral thing in the world for us.

   
 
For, in our per­sonal mu­si­cal ex­peri­ence, we live be­yond space and time.
Im­pa­tience, there­fore, does not exist for us – can­not exist – since im­pa­tience can appear only within spa­tial and tem­po­ral limi­ta­tions, but never in the unlim­ited mu­si­cal field of the har­mony – be­yond space and time.

 
The Personal Musical Experience beyond Space and Time
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
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